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//]]></script> <script type="text/javascript" src="http://103.249.53.35/gate/big5/afpmm.alicdn.com/g/mm/afp-cdn/JS/k.js@OldUrl;@JS;http://culture.taiwan.cn/spot/201709/t20170913_11842282.htm_.js"></script>  </div>  <div id="tw_artmain"> <div class="tw_place"><a href="http://103.249.53.35/" target="_self">台灣網</a> > <a href="http://103.249.53.35/gate/big5/culture.taiwan.cn/" target="_self" title="兩岸文化" class="CurrChnlCls">兩岸文化</a> > <a href="http://103.249.53.35/gate/big5/culture.taiwan.cn/spot/" target="_self" title="資訊" class="CurrChnlCls">資訊</a></div> <h1 class="art_tit">別拿觀眾當傻子！《那年花開》領銜國產良心劇為處女座正名</h1> <div class="art_time">2017年09月13日 13:32:43 來源：台灣網 <div class="art_font"><div style="float:left;margin-top:-6px;">  <div class="bdsharebuttonbox"><a href="#" class="bds_more" data-cmd="more"></a><a href="#" class="bds_qzone" data-cmd="qzone" title="分享到QQ空間"></a><a href="#" class="bds_tsina" data-cmd="tsina" title="分享到新浪微博"></a><a href="#" class="bds_tqq" data-cmd="tqq" title="分享到騰訊微博"></a><a href="#" class="bds_renren" data-cmd="renren" title="分享到人人網"></a><a href="#" class="bds_weixin" data-cmd="weixin" title="分享到微信"></a></div> <script>window._bd_share_config={"common":{"bdSnsKey":{},"bdText":"","bdMini":"2","bdMiniList":false,"bdPic":"","bdStyle":"0","bdSize":"16"},"share":{}};with(document)0[(getElementsByTagName('head')[0]||body).appendChild(createElement('script')).src='http://103.249.53.35/gate/big5/bdimg.share.baidu.com/static/api/js/share.js?v=89860593.js?cdnversion='+~(-new Date()/36e5)];</script>  </div><div style="float:left;"><a href="javascript:window.print();"><img src="http://ats.taiwan.cn/images/jingmao_34.gif" align="top" /></a>字號：<a href="javascript:void(0);" class="smallFont">小</a> <a href="javascript:void(0);" class="medFont">中</a> <a href="javascript:void(0);" class="largeFont">大</a></div></div> </div> <div class="art_con left"> <div class="art_txt fontsizebox"> <div class=TRS_Editor><p align="justify">　　如果不是被身邊的小夥伴瘋狂安利，我也是沒有打算追《那年花開》這部劇的，因為追劇太痛苦了，尤其是一部好劇，但無奈抵不過全民追劇的熱潮，好不容易“攢”了幾集吧，結果一看就摟不住了……</p> <p align="center"><img style="border-left-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-top-width: 0px" alt="" oldsrc="W020170913384382197475.jpg" src="./W020170913384382197475.jpg" /></p> <p align="justify">　　不得不說，《那年花開月正圓》的確稱得上又一“良心劇”，從首集的開場畫面就能看出該劇組在製作上的精良和細節上的用心：俯視涇陽城的全景畫面展示出了場景上的大氣磅薄，而長鏡頭的逐步推進也將錯落有致的建築格局完美呈現。</p> <p align="center"><img style="border-left-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-top-width: 0px" alt="" oldsrc="W020170913384382388544.gif" src="./W020170913384382388544.gif" /></p> <p align="justify">　　難怪它一開播就能領跑衛視黃金檔，並取得了開播當晚雙臺破1的成績，之後更創造了從穩定的雙臺破2到CSM35城收視率破3的佳績，豆瓣也給了8.5的高分。</p> <p align="center"><img style="border-left-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-top-width: 0px" alt="" oldsrc="W020170913384382884545.jpg" src="./W020170913384382884545.jpg" /></p> <p align="justify">　　近年來的熒幕大戰可謂亂象迭出，抗日神劇、注水臺詞、5毛特效、摳圖演技等被觀眾詬病不止，“流量小生”+“當紅小花”的市場搭配模式讓觀眾“審美疲勞”的同時也對新一代演員的演技持疑。</p> <p align="center"><img style="border-left-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-top-width: 0px" alt="" oldsrc="W020170913384382984403.gif" src="./W020170913384382984403.gif" /></p> <p align="justify">　　而《那年花開》的播出，無論是宏大的置景還是細節的考究上，都搭配得相得益彰，盡顯製作上的精良與匠心；在內容上，有別於追求仙俠、玄幻和大IP題材，《那年花開》“反套路”的將真人歷史故事為原型並改編成了如今的原創年代大劇。“心”與“新”的結合誠意滿滿，能收穫觀眾的高度好評好像也是情理之中的。</p> <p align="justify">　　那麼，評判一部劇是不是“良心之作”的標準是什麼呢？《那年花開月正圓》的導演丁黑給出了自己的看法：宏大與細節，既能張弛有度又能收放自如方為大製作之精髓。</p> <p align="justify">　　說到宏大的場面，《那年花開》播出到現在有一場戲絕對不得不提，那就是——吳聘葬禮，視聽效果上的衝擊令網友看後直驚嘆：吳家東院不愧為涇陽首富！也許你想不到，如此壯觀的場面竟都是全部採用真人實景拍攝的，這種“真實”的鏡頭感帶給觀眾的震撼是任何後期特效都達不到、比不了的。據悉，另一場少奶奶周瑩上演火燒罌粟的戲碼，其場面亦很值得期待。</p> <p align="center"><img style="border-left-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-top-width: 0px" alt="" oldsrc="W020170913384383955810.jpg" src="./W020170913384383955810.jpg" /></p> <p align="justify">　　再說細節，那就更了不得了，畢竟拍戲時的導演丁黑是個“較真兒狂”，因此《那年花開》團隊也成了網友口中盛讚的“處女座劇組”。</p> <p align="justify">　　首先從劇本的創作上就令人敬佩。由於該劇是根據真實故事改編而成的，所以主創團隊從2011年開始，先在陜西涇陽縣安吳堡陸續獲得了平均年齡72歲的吳氏家族國字輩7位後人的授權，後為創作先後去陜西採訪了十幾次，還多次舉行劇本研討會，力求不放過任何細節，只為“一心一意”的製作準則和對觀眾負責的態度。</p> <p align="center"><img style="border-left-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-top-width: 0px" alt="" oldsrc="W020170913384384109936.gif" src="./W020170913384384109936.gif" /></p> <p align="justify">　　接著說說拍攝上的用心與細緻。與大多數電視劇短平快的拍攝週期不同，2016年10月開機的《那年花開》歷經222天才殺青，拍攝長達7個多月之久、跨越五省一市，連女主角孫儷都曾在微博感嘆：我們這部戲，去年初秋開機，過了冬天，迎來了春天，馬上就要夏天了，還有100場戲。</p> <p align="center"><img style="border-left-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-top-width: 0px" alt="" oldsrc="W020170913384384526830.jpg" src="./W020170913384384526830.jpg" /></p> <p align="justify">　　殺青時還特意配了張笑仰了過去的照片。</p> <p align="center"><img style="border-left-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-top-width: 0px" alt="" oldsrc="W020170913384384611556.jpg" src="./W020170913384384611556.jpg" /></p> <p align="justify">　　而對於觀眾吱吱稱讚的劇中各種場景，則全部是劇組根據研究資料搭建恢復的，為的就是能最大程度的還原清末陜西涇陽的風貌。</p> <p align="justify">　　好故事、好劇本和好場景都準備好了，擁有專業演技和素質的好演員自然也不能缺，“青年實力派”+“黃金老戲骨”的組合方式是該劇另一成功因素。《那年花開》既集結了孫儷、陳曉、何潤東、俞灝明、胡杏兒等實力與人氣兼備的青年演員，也有劉佩琦、張晨光、謝君豪等演技炸天的老戲骨，他們的強強聯手成了“口碑”與“收視率”的保障。</p> <p align="center"><img style="border-left-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-top-width: 0px" alt="" width="550" height="225" oldsrc="W020170913384384719397.jpg" src="./W020170913384384719397.jpg" /></p> <p align="center"><img style="border-left-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-top-width: 0px" alt="" oldsrc="W020170913384384836665.gif" src="./W020170913384384836665.gif" /></p> <p align="justify">　　誠然，“粉絲經濟”帶來了不小的商機，但隨著世界開放程度的提升，觀眾的審美品味也在不斷提高，一味追求市場效益而不顧內在品質，不管是在影視劇市場還是其他各行業，都非長久之計。於是，“處女座劇組”應時而至。</p> <p align="center"><img style="border-left-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-top-width: 0px" alt="" oldsrc="W020170913384385447903.gif" src="./W020170913384385447903.gif" /></p> <p align="justify">　　說到“良心劇”“處女座劇組”，大家最先想到的大概都是《瑯琊榜》。該劇不僅劇情紮實可信，服裝道具也是一絲不茍，細節處的設計更是令人“細思覺恐”，尤其是畫面構圖，還引得“技術流”競相剖析。該劇的製片人侯鴻亮，導演孔笙、李雪也順勢成了“國劇門臉”，之後的《歡樂頌》依舊延續了“處女座”風格。</p> <p align="center"><img style="border-left-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-top-width: 0px" alt="" oldsrc="W020170913384386134406.jpg" src="./W020170913384386134406.jpg" /></p> <p align="justify">　　觀眾不是傻子，懂得分辨好壞，靠流量小生或小花、靠5毛特效或靠雷人劇情只能騙得了觀眾一時，而真正靠打磨劇本、靠推敲細節或靠磨練演技的“處女座們”才是品質和口碑的保障，才能獲得觀眾真正的青睞，以前的《大明王朝》《士兵突擊》是如此，後來的《瑯琊榜》《歡樂頌》《人民的名義》是如此，如今的《那年花開月正濃》亦是如此。過去看劇觀眾習慣的“全民來找茬”是吐槽模式，從劇情到臺詞再到穿幫鏡頭，有太多的“細究覺樂”；而現在看劇觀眾都爭當“技術流”，從細節處、從熒幕外找驚喜，發現了不少的“細思覺恐”。</p> <p align="justify">　　當“處女座”已變成“良心劇”的代名詞時，我想說：請給我來一打這樣的劇組！（作者：扒二條）</p> <p align="center"><font face="楷體,楷體_GB2312"><img style="border-left-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-top-width: 0px" alt="" oldsrc="W020170913384386265293.jpg" src="./W020170913384386265293.jpg" /></font></p> <p align="left"><font face="楷體,楷體_GB2312">　　聲明：本文為網友投稿作品，內容係作者個人觀點，與台灣網無關。</font></p></div> <p class="editor">[責任編輯：楊旋]</p> </div> <div class="page"> <script type="text/javascript"> createPageHTML(1, 0, "t20170913_11842282", "htm"); </script> </div> <div class="art_xg"> <div class="art_xgtit">相關內容</div> <ul class="art_list_1"> <li><a href="http://103.249.53.35/gate/big5/culture.taiwan.cn/spot/201709/t20170913_11842259.htm" title="《二十二》背後的歷史態度" target="_blank">《二十二》背後的歷史態度</a><span>2017.09.13</span></li> <li><a href="http://103.249.53.35/gate/big5/culture.taiwan.cn/spot/201709/t20170913_11842255.htm" title="《家醜外揚》人藝實驗劇場上演夫妻二人戲犀利透視人生、人性" target="_blank">《家醜外揚》人藝實驗劇場上演夫妻二人戲犀利透視人生、人性</a><span>2017.09.13</span></li> <li><a href="http://103.249.53.35/taiwan/tw_SocialNews/201709/t20170913_11842072.htm" title="趙薇11字回應“還珠之亂” “爾康紫薇”互懟到天明" target="_blank">趙薇11字回應“還珠之亂” “爾康紫薇”互懟到天明</a><span>2017.09.13</span></li> </ul> </div>  <div class="art_ad">  <script type="text/javascript">//<![CDATA[ ac_as_id = "mm_114896513_13668621_54552778"; 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